APRIL 12 – MAY 18, Contemporary Indian Art
GULAMMOHAMMED
SHEIKH, gouache and digital prints
BHUPEN
KHAKHAR, painting
Chicago, IL,
March 15, 2002 – Two of India’s most important living artists,
Gulammohammed Sheikh and Bhupen Khakhar, will visit Chicago April 12–18.
Renowned for their narrative paintings, they depict contemporary life in
India and address such timely and provocative issues as sectarian riots
and homosexuality. Mr. Sheikh and Mr. Khakhar will be on hand at the opening
of their joint show at the Walsh Gallery Friday, April 12. The artists
will also participate in the School of the Art Institute of Chicago’s
Visiting Artists Program’s Stylistic Hybrids II: Contemporary Indian
Painting Lectures Series. Lectures take place on April 16 (Sheikh) and
April 18 (Khakhar).
Julie Walsh, director of Walsh Gallery, said, “I am thrilled to bring
the work of these two outstanding artists to Chicago. This is the first time
their work has been made available to Chicagoans and we are especially fortunate
that they will be present at the opening reception.”
Mr. Sheikh (b. 1937) and Mr. Khakhar (b. 1934) are two of the most prominent
members of the first generation of Indian artists to reach maturity after independence.
Building on work by Bombay School pioneers like K. G. Subramanyan and M. F.
Husain, Mr. Sheikh and Mr. Khakhar and their contemporaries at the Baroda School
offered a challenge and an alternative to Bengal School artists. Bengal School
artists sought to modernize Indian painting by reinventing traditional Indian
styles of painting in ways that were compatible with ideas of “Asian
Art.” Members of the Baroda School felt that all that was required to
produce Indian art was to be Indian, and to record what was happening around
them. This led Mr. Sheikh and Mr. Khakhar to frank and unromantic depictions
of urban life, and eventually to Mr. Khakhar’s occasionally explicit
images of homosexual life in India. Mr. Khakhar and Mr. Sheikh incorporate
widely diverse influences into their work, including Indian miniatures, Mughal
painting, popular and court paintings, cheap devotional images and paintings
from the Italian Renaissance. They arrived finally at the intimate narrative
style for which they are now known.
Mr. Sheikh and Mr. Khakhar’s works have been shown at The Hirshhorn Museum,
Washington DC; the Tate Gallery, London; and the Centre Georges Pompidou, Paris.
Public collections include: the Museum of Modern Art, New York; the British
Museum, London; and The National Galleries of Modern Art in Sydney and New
Delhi. Mr. Khakhar’s work will travel from Walsh Gallery to the National
Museum of Art (Rene-Sophia) in Madrid for a retrospective exhibition beginning
in early June.
Mr. Sheikh and Mr. Khakhar will be present at Walsh Galley for the opening
reception of their joint show April 12 from 7:00–10:00 PM. The artists,
along with cultural theorist and writer Geeta Kapur, will also discuss contemporary
Indian narrative painting at the School of the Art Institute of Chicago April
16–18 at 6:00 PM.